Symbolic
Economy:
Bracketing
the Natural Attitude (Marketing Workshop)
§§§§
An
edge
fully
covered
as
bluffs
into
beliefs.
§§§§
But
if water considers
enunciation,
that indecipherable
halting,
not by the mistake of comment:
in
the reduction of meaning anew.
§§§§
Your
first line will say
before
it is ready
which
has held between
grasses
they are wary
falling
deeply beneath trees.
§§§§
In
light of the mechanical process:
manifestly
true
that
it is possible
to
disturb
just
such
an
experience.
(Comprehends,
thus urgently,
and
acts, as company.)
§§§§
I
share this assumption
and
have no stake in
calling
it into question.
In
reference to proper techniques
(or
proper apologetics)
we
must bear heavier freight.
Altered
aesthetic, revelatory,
(as
its object)
allows
for the production of nobility, cravenness, beauty…
§§§§
Just
this replayed
betrays,
surely one of the original sources:
Say
it!
This
is charm!
§§§§
Performance
declines
printing
unidentifiable
images.
Assumptions
of which side
the
wall falls on:
should
we say items?
§§§§
As
though in a mixture of rooftops we could be steeples.
§§§§
We
will all become middle-aged professors.
The
fortuitously produced twin will as well.
§§§§
“To
slip a to
will
alongside a to
let
is to show us the pure possibility of the future.”
§§§§
We
do not expect signs of order
on
our sleeping eyes…
In
the door,
if
so
an accurate
picture
of
reference
(frame
level determining).
§§§§
Not
only, but this one; not only, but her porcelain skin (that alabaster
jug); not only, but has she noticed?
§§§§
The
magical realism comes not from altering the surface of life, but from
radically undermining the very possibility of being.
§§§§
To
free: being of the model.
Identity
stepping stones
as
versions…or simply
to
be what is happening
“we
see things that are not present.”
§§§§
As
if we were tilted
against
suitably
lit
plate
glass, behold:
we
see the same image.
§§§§
Predication’s
arm
launches
to
tie
the literary.
(Apparently,
he saw before
wiped
clean: skill to expect results,
waiting,
principle to come.
I am
one person (“one and
unjudgable
in the world”)
else chance.)
§§§§
The
branches of the critic's ‘illusory tree’ are often the objective
criteria for judging works. Such criteria seem as if they would
sustain the critic, when in actuality they are usually merely hollow
attempts at avoiding the work.
§§§§
Forget
your doorways,
these
are torn maps that bloom:
(to
know secretly
this
shiny curve
sitting
under
under
water
to
sit
dirty
under
this
secret under
slept
under
to
know).
§§§§
Borrowing
as
a proverb. If you
eliminate
to
rule
beware
advertising’s
reign.
To be fully
understood
is
to never comprehend
velocity.
These are your weeds:
the
bent.
§§§§
But
taste always remains essentially subjective. To objectify aesthetic
judgments ruins the essential element of aesthetic judgments: that
they are judgments of what it feels like for me.
§§§§
These
lions are not your only stores.
They
couldn’t even note your claws.
If
you want to know the truth,
this
runs the other direction
between
new leaves, or destroys them,
mostly
rips them to shreds, mostly.
Small
in a goat, this slaughter,
curled
over lip of a small cup.
§§§§
Excepting
significance
(who
cared little
about
the niceties of fine print)
Salvaging
contingency
§§§§
Wherein
evidence
in
support of their position,
but
I think just the reverse is true;
either
I look inside
or
I am an insider.
§§§§
Notes
on the, as you have said, crossing:
thank
God for water, enough for reflection
and
not completely random
because
I am me
sucked
into the earth.
as
if the shadow were a reflection.
§§§§
The
plot is well-known enough
not
to be summarized here
so
why assume something different
for
the way we act together?
We
are justified in our feeling
that
custom is oppressive.
§§§§
But
we are as wide as we are wounded.
§§§§
Critics
are always in danger of objectifying taste in order to avoid the
problems of subjective taste. This tendency is seen in the value
critics place on objective criteria for judging works as opposed to
the pleasure works give those same critics. The comparison with
gustatory taste helps one avoid this critical tendency, for what is
eaten is taken first in one’s own mouth.
§§§§
Puddle’s
gloss
rubbed
off on the teeth
during
the date.
Francis Raven