Symbolic Economy: Bracketing the Natural Attitude (Marketing Workshop) §§§§ An edge fully covered as bluffs into beliefs. §§§§ But if water considers enunciation, that indecipherable halting, not by the mistake of comment: in the reduction of meaning anew. §§§§ Your first line will say before it is ready which has held between grasses they are wary falling deeply beneath trees. §§§§ In light of the mechanical process: manifestly true that it is possible to disturb just such an experience. (Comprehends, thus urgently, and acts, as company.) §§§§ I share this assumption and have no stake in calling it into question. In reference to proper techniques (or proper apologetics) we must bear heavier freight. Altered aesthetic, revelatory, (as its object) allows for the production of nobility, cravenness, beauty… §§§§ Just this replayed betrays, surely one of the original sources: Say it! This is charm! §§§§ Performance declines printing unidentifiable images. Assumptions of which side the wall falls on: should we say items? §§§§ As though in a mixture of rooftops we could be steeples. §§§§ We will all become middle-aged professors. The fortuitously produced twin will as well. §§§§ “To slip a to will alongside a to let is to show us the pure possibility of the future.” §§§§ We do not expect signs of order on our sleeping eyes… In the door, if so an accurate picture of reference (frame level determining). §§§§ Not only, but this one; not only, but her porcelain skin (that alabaster jug); not only, but has she noticed? §§§§ The magical realism comes not from altering the surface of life, but from radically undermining the very possibility of being. §§§§ To free: being of the model. Identity stepping stones as versions…or simply to be what is happening “we see things that are not present.” §§§§ As if we were tilted against suitably lit plate glass, behold: we see the same image. §§§§ Predication’s arm launches to tie the literary. (Apparently, he saw before wiped clean: skill to expect results, waiting, principle to come. I am one person (“one and unjudgable in the world”) else chance.) §§§§ The branches of the critic's ‘illusory tree’ are often the objective criteria for judging works. Such criteria seem as if they would sustain the critic, when in actuality they are usually merely hollow attempts at avoiding the work. §§§§ Forget your doorways, these are torn maps that bloom: (to know secretly this shiny curve sitting under under water to sit dirty under this secret under slept under to know). §§§§ Borrowing as a proverb. If you eliminate to rule beware advertising’s reign. To be fully understood is to never comprehend velocity. These are your weeds: the bent. §§§§ But taste always remains essentially subjective. To objectify aesthetic judgments ruins the essential element of aesthetic judgments: that they are judgments of what it feels like for me. §§§§ These lions are not your only stores. They couldn’t even note your claws. If you want to know the truth, this runs the other direction between new leaves, or destroys them, mostly rips them to shreds, mostly. Small in a goat, this slaughter, curled over lip of a small cup. §§§§ Excepting significance (who cared little about the niceties of fine print) Salvaging contingency §§§§ Wherein evidence in support of their position, but I think just the reverse is true; either I look inside or I am an insider. §§§§ Notes on the, as you have said, crossing: thank God for water, enough for reflection and not completely random because I am me sucked into the earth. as if the shadow were a reflection. §§§§ The plot is well-known enough not to be summarized here so why assume something different for the way we act together? We are justified in our feeling that custom is oppressive. §§§§ But we are as wide as we are wounded. §§§§ Critics are always in danger of objectifying taste in order to avoid the problems of subjective taste. This tendency is seen in the value critics place on objective criteria for judging works as opposed to the pleasure works give those same critics. The comparison with gustatory taste helps one avoid this critical tendency, for what is eaten is taken first in one’s own mouth. §§§§ Puddle’s gloss rubbed off on the teeth during the date. Francis Raven